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Silent Horror Classics Restored by Deaf Crocodile


Deaf Crocodile releases restored versions of silent horror classics by Henrik Galene, including Alrana and The Student of Prague.

Welcome back to Dark Corners physical media reviews. We're exploring a two-disc collection of silent horror classics from the underrated writer-director Henrik Galene, released by Deaf Crocodile. This company is building a collection of quirky world cinema gems, and these films fit perfectly.

Previously, I mentioned in our review of 1928's Alrana that judging the film was difficult due to its condition. It awaited a widely accessible restoration. Now, thanks to Deaf Crocodile and the Film Museum Munich, it's available in pristine condition, even longer than any online version, with a runtime of 2 hours and 15 minutes and including some previously censored scenes represented by stills.

The enhanced visuals make a substantial difference, highlighting the nuanced performances of Brigitte Helm and Paul Wegener. The movie’s flow has improved despite its extended length, maintaining viewers' engagement through its twisted narrative.

Alrana incorporates elements of Frankenstein, melding science with the supernatural. It portrays a predatory woman created via mandrake root and artificial insemination, toying with danger and seducing men, ultimately including her surrogate father. Brigitte Helm’s performance balances wildness with icy intensity, portraying the liberated Weimar New Woman, a role she became cinematically renowned for.

Our reservations about Alrana aside, the second film, The Student of Prague, tells a Faustian tale of a man who trades his reflection to the devil. This remake of an early horror landmark is brought to life by Galene’s 1926 version, featuring renowned actors Conrad Veidt and Werner Krauss known for The Cabinet of Dr. Caligari, delivering powerful performances alongside mesmerizing imagery and expressionist techniques.

Additional features include commentaries by Yan Christopher Horak, offering intriguing context regarding the careers of the involved artists, although sometimes straying from film discussion. A notable extra is a 90-minute interview between Stefan Drössler of the Film Museum Munich and Dennis Bartok from Deaf Crocodile, focusing on film preservation.

For collectors, a 15-minute clip from the rare 1924 crime drama Dangerous Paths, featuring Galene, is included. Also, a deluxe edition booklet showcases contemporary articles by Galene and contemporary writer Hans Hyines, adorned with artwork by Dave McKean, although this edition is sold out.

This release emphasizes the newly restored Alrana alongside the stellar presentation of The Student of Prague, much to collectors and horror enthusiasts' delight.