The review explores 'Good Against Evil,' a pilot episode for an unmade TV series blending comic horror with unusual romantic elements. The series is notably inspired by classic horror themes, combining 'The Omen' and 'Rosemary's Baby' into its plot with a distinctive twist of humor.
Richard Lynch plays a central figure at a satanic cocktail party, adopting a child with Astroth. The narrative jumps twenty years ahead, following Jessica, a fashion designer, and Andy, a problematic writer played by Dak Rambo. Their initial contentious encounter evolves as Andy, humorously portrayed as persistent and invasive, embodies the trope of an unwanted pursuer.
The review criticizes the film's portrayal of romance as if derived from misguided lessons in women's preferences, where relentless pursuit equates to affection. Jessica's character, linked to Astroth, wades through absurd situations as she confronts stalkers and supernatural interferences.
The humor of the series, highlighted by commentary on 70s fashion and unrealistic romantic dynamics, becomes its standout feature, albeit overshadowing horror's gravitas. The incongruity within the script, blaming a priest's home invasion for unlocking supernatural truths, reflects a peculiar narrative structure.
Concluding on the missed expectations of director Jimmy Sangster’s writing, the review notes the odd production pacing where a man's battle against evil frivolously tackles horror themes akin to 'The Exorcist' and 'Rosemary's Baby.' Nevertheless, Lynch's portrayal offers a potential rogue narrative element worth expanding upon, if only for comedic intrigue.