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Jack Black's Almost Green Lantern: The R-Rated Comedy Version That Never Was


A bizarre take on Green Lantern with Jack Black almost became a reality with an R-rated comedy version, showing Warner Bros' earlier struggles.

In a surprising turn of events, Warner Brothers once considered a Green Lantern film that would have veered wildly off course from its comic book roots into R-rated comedic territory. Scheduled to star the illustrious Jack Black, this imagined film would take a raunchy and humorous approach to the Green Lantern lore.

The narrative followed a script penned by Robert Smiggle, a former SNL writer, which portrayed Jack Black as Jud Plato, a character inadvertently chosen by the Green Lantern’s ring—typically reserved for fearless individuals like Hal Jordan or John Stewart. Smiggle's screenplay suggested a world where comic characters exist as real entities.

Jud, a furniture store worker, stumbled onto this cosmic responsibility after winning a Fear Factor-style contest. The ring, mistaking his apparent lack of fear for courage, set him on a path to comedic chaos and misadventure. Despite the galactic scale consequences, Jud’s misuse of the ring gravitated towards humor, often with visual green creations of Britney Spears and Beatles, much to the script’s R-rated expectations, including a notable incident of creating a gigantic protective item during a battle.

With Guardians and iconic figures like Kilowog, Sinestro, and Legion involved, the script embraced irreverence. In one instance, Jud manipulating Earth’s positioning causes calamitous natural disasters, echoing absurdity with Superman reversing time, straight out of the 1978 Superman film finale.

The project faded after backlash over the leaked draft, leaving us with the more conventional but still criticized 2011 Ryan Reynolds' film instead. To this day, Jack Black remains an imaginative casting choice for DCU roles, perhaps more fitting now for a comedic villain like Toy Man or an actual Green Lantern akin to North.

This story serves as a peculiar chapter in Green Lantern’s adaptation history, highlighting both innovative audacity and cautionary missteps in cinematic leaps from the comic page.