Welcome to "The Rewind," where we explore the making and legacy of various films. Today, we examine "Crossroads," the 1986 Gothic music drama starring Ralph Macchio as Eugene "Lightning Boy" Martone. Directed by Walter Hill, the film follows a young guitar virtuoso's journey with an old-timer blues harmonica player, seeking an unrecorded song by Robert Johnson, a legendary Delta bluesman.
Despite its initial box office failure, "Crossroads" became a cult favorite, particularly among guitarists for its soundtrack. Joining me is Stacy Lane Wilson, an author and filmmaker. Her book, "The Class Coffin," includes contributions from the Women in Horror Collective. Stacy recalls becoming a Robert Johnson fan through her interest in blues-influenced bands like Led Zeppelin.
Stacy shares her insights on Robert Johnson's mysterious legacy, rumored to have sold his soul for musical prowess, and how his story inspired screenwriter John Fusco. Initially a bachelor's thesis, Fusco's screenplay gained attention from Hollywood, leading to an engagement with Columbia Pictures and ultimately director Walter Hill.
Hill's personal connection to music through his jazz musician father influenced his decision to direct. The film navigates casting challenges, with Ralph Macchio chosen for his youth and earnestness. Discussions include his guitar training and on-screen chemistry with Joe Seneca, who plays Willie Brown, an eventual choice over real-life bluesman Roy Dunn.
We delve into behind-the-scenes stories, from Walter Hill's motivations to the memorable duel guitar scene featuring Steve Vai as the devil's guitarist. While initial reviews compared it to "The Karate Kid," appreciation grew through cable, VHS, and internet platforms, particularly YouTube.
The influence of "Crossroads" is seen in musicians' careers and its cultural resurgence, ensuring its place as a valued piece of musical cinema history.