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Kevin Costner's Early Film 'Shadows Run Black': A Review


Dark Corners reviews Kevin Costner's early film 'Shadows Run Black', critiquing its storytelling choices and character arcs.

This week's episode of Dark Corners takes a look at the early career of Kevin Costner, specifically through the lens of the film 'Shadows Run Black'. Though made in 1981, the film wasn't released until 1985. By that time, Costner had become a recognized star, prompting the filmmakers to capitalize on his fame by featuring him prominently in the credits and cover art, despite his minor role.

The film opens with a group of carefree college students in a car, and as the scene evolves, it sets the stage for a serial killer narrative with a character dubbed "the black angel". Detective Ryel King, a key character, is portrayed as confrontational, particularly as he questions Lee, a friend of one of the victims.

The storyline includes various dramatic turns, including characters tied to prostitution and drugs, with Detective King driving the investigation with his intense demeanor. As the movie progresses, Detective King becomes not only the investigator but also reveals a personal connection to the crimes through his own past traumas.

As the murders continue, the narrative shifts between different characters, such as Judy and her complicated relationship dynamics, and Morgan, her overprotective, racist brother. The film culminates with a plot twist revealing who the real killer is, drawing connections to the detective’s personal history.

Despite attempts at building suspense and drama, the film falls short because of weak character development and disjointed plotlines. The randomness of Judy’s interactions and the ineffective resolution leaves viewers unimpressed. Critics suggest that the film suffers from incoherent storytelling and lacks meaningful character arcs, making it a lackluster experience despite Costner's later fame. In summary, 'Shadows Run Black' is seen as a missed opportunity for a more engaging thriller.