Dan Merl provides a review of "Shelby Oaks," the feature debut of writer-director Chris Stuckman, opening in theaters this weekend. The film, distributed by Neon, features a supernatural narrative centered on the mystery of Riley Brennan's disappearance and an ominous presence from the past. Initially introduced through found footage, it transitions to a more conventional horror narrative that enhances its storytelling.
Stuckman, known for his roots as a YouTube movie critic, seamlessly integrates his understanding of film fundamentals into directing. The film showcases standout cinematography by Andrew Scott Baird, creating a suspenseful atmosphere with enveloping darkness. Despite admirable performances, especially by Camille Sullivan, and effective horror elements, the screenplay falters in maintaining momentum, especially in the latter half.
While "Shelby Oaks" succeeds in setting a compelling tone and establishing suspense, its resolution feels hurried and less satisfying. Nevertheless, it reflects Stuckman's potential as a director, suggesting that collaboration on screenwriting could enhance future projects.
Overall, "Shelby Oaks" is a notable debut, with Stuckman's passion for cinema evident throughout, even if hindered slightly by narrative inconsistencies. His journey from critic to filmmaker is commendable, marking him as a promising new voice in horror cinema.