Yorgos Lanthimos, the acclaimed director known for his unique visual storytelling, discusses his favorite shots from his films and his focus on the physicality and movement in filmmaking. He shares how certain scenes, such as using a toy airplane in 'Dogtooth' to represent the characters' limited understanding of the outside world, were pivotal in building the narrative's world.
Lanthimos delves into the importance of slowly revealing a film's world and rules, using visual intrigue to captivate audiences. He mentions how shots in 'The Killing of a Sacred Deer' and 'The Favourite,' with their unique angles and close-ups, have left a lasting impact. Notably, he enjoys working with minimal artificial lighting, as seen in a slow motion shot of Raffey Cassidy in 'The Killing of a Sacred Deer.'
The director also highlights the use of miniatures and LED screens to create immersive environments in films like 'The Favourite,' emphasizing the blending of practical effects and technology to enhance the visual experience. He fondly recalls the technical and creative processes, like crafting a seamless tracking shot in 'The Favourite,' which combined music, editing, and unique visual composition.
Throughout, Lanthimos admires the emotive power of close-ups, particularly with actors like Emma Stone. He cherishes the visual language that allows the human body to convey stories that are as vital as dialogue or setting, a signature characteristic of his filmmaking style.