'Predator Badlands' serves as both a triumph and a challenge to its own ambition. Directed by Dan Tractenberg, this third installment in the franchise is propelled by a series of meticulously crafted action sequences. The film distinguishes itself by steering away from conventional fan service, yet it misses a deeper exploration of its intriguing themes.
Past 'Predator' films have used their narratives to delve into significant sociopolitical discourse. The original 1987 film by John McTiernan exemplified American exceptionalism, while Steven Hopkins' sequel critiqued the corruption in Los Angeles. Though action-packed, these films carried underlying weight.
'Badlands' does present a resonant message about finding solace in solidarity among the marginalized, and critiques corporate exploitation through the inclusion of the Wayland-Yutani corporation. However, Tractenberg's focus remains on expanding the lore of the Predator universe.
Featuring the story of Deck on a quest for honor in the society of the Yautja, the film opens on Yautja Prime with a defining fight sequence. Deck's journey on the perilous planet Jenna introduces him to Thea, a synthetic android portrayed by Elle Fanning. Their developing relationship adds a layer of humanism amidst the alien narrative.
While Tractenberg's symbolic storytelling may seem superficial, the film, rated PG-13, is replete with thrilling sequences and stunning visuals despite some imperfect effects. Shot in New Zealand, it explores themes of identity and kinship, offering an enjoyable exploration within the 'Predator' series.